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the witches.tif
film.tif
dmp reel.tif
home piggie2.tif

For the new Robert Zemeckis Film 'The Witches' I created the Demopolis train station and added detail to the locomotive in several shots to take it from an on-set model to one that you would more likely see in 60's Alabama. I also worked on several landscapes as the boy and his grandma arrived at the seaside resort Hotel

woman in black 2.tif

For 'Woman in Black: Angel of Death', the second film in the series I was asked to create the Island and view of Eel Marsh House for the shot of the children's arrival.

 

For the iconic final shot of the film I was asked to re-create the interior of the room from location stills taken on set. The camera was positioned on a crane outside the room for a pull out into the 1940's London street and then back to the house. Unable to crane the on-set camera into the room I had to build the 2.5D setup in Nuke using cards. I had to match the on-set camera move and then take over with my own nuke camera move into a close up of a portrait on the mantelpiece which smashes to reveal an image of the Woman in Black and the close of the film

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139_sg_0080_bg01_logc_v001_plate still.t
139_sg_0080_logc_v040_room still.tif

Final frame of Plate from on-set camera

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Room recreated through projected stills in Nuke

Plate and Final Version

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